MATTHEW BUCKINGHAM
             
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MATTHEW BUCKINGHAM
Born Nevada, Iowa, 1963, lives and works in New York City

Education

1997    Whitney Independent Study Program, New York, NY
1996    MFA, Bard College, Annandale-On-Hudson, NY
1988    BA, film production and film studies, The University of Iowa, Iowa City, IA 
1984    The School of the Art Institute of Chicago, IL

Solo Exhibitions

2008    Will Someone Please Explain It To Me, I've Just Become a Radical, Murray Guy, New York, NY
           From 1957 to 1969 This Building Was Empty, The Art Institute of Chicago, Chicago, IL
           Paleography, Konrad Fischer Galerie, Berlin, Germany
           Index, Stockholm, Sweden
2007    Half Remembered, ArtPace, San Antonio, TX
           Everything Has a Name, Hamburger Bahnhof - Museum fuer Gegenwart, Berlin, Germany

           Play the Story, Camden Arts Centre, London, UK; travelling to DCA Dundee Contemporary Arts; Frac Bourgogne, Dijon, France;
           Des Moines Art Center, Des Moines, IA; Henry Art Gallery, Seattle, WA
2006    Messages from the Unseen - Matthew Buckingham/Joachim Koester, Lunds Konsthall, Lund, Sweden
2005    Time Lines, Kunstverein und Kunstmuseum St. Gallen, Switzerland
           The Distribution of Sensibility v.1: Muhheakantuck – Everything Has a Name, Midway Contemporary Art, Minneapolis, MN
           Currents 94: Matthew Buckingham, St. Louis Art Museum, St. Louis, MO
           Sandra of the Tuliphouse or How to Live in a Free State (with Joachim Koester), The Kitchen, New York, NY
           Introduction to a Scientific Aesthetics, Fundación Telefonica, Madrid, Spain (with Dora Garcia)
           Westfälischer Kunstverein, Münster, Germany
2004    Muhheakantuck – Everything Has a Name, Murray Guy, New York
           Concentrations 44: Matthew Buckingham, A Man of the Crowd, Dallas Museum of Art, Dallas, TX
2003    A Man of the Crowd, Murray Guy, New York, NY
           A Man of the Crowd, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
           Subcutaneous, Charles H. Scott Gallery, Vancouver, Canada
2002    Definition, P.S.1 Contemporary Art Center, Long Island City, NY
2001    Subcutaneous, Murray Guy, New York, NY
           Matthew Buckingham: Video Ab Acht, Schnitt Ausstellungsraum, Cologne, Germany
           Sandra of the Tuliphouse or How to Live in a Free State, (with Joachim Koester) x-rummet, Statens Museum for Kunst,
           Copenhagen, Denmark; Capecete Projects, Rio de Janeiro, Brazil (cat.)
2000    Situation Leading to a Story, Galleri Tommy Lund, Copenhagen, Denmark
1999    Contemporary Film and Video: Matthew Buckingham, Moderna Museet, Stockholm, Sweden
           Films + Photographs + Drawings, Murray Guy, New York, NY
1998    Sandra of the Tuliphouse, (with Joachim Koester), Institute of Visual Arts, University of Wisconsin-Milwaukee, WI

Selected Group Exhibitions

2008    The Sound I’m Looking For, Charles H. Scott Gallery, Emily Carr Institute, Vancouver, BC, Canada
           The Greenroom, CCS Bard Hessel Museum, Annandale-on-Hudson, NY
           Farewell to Post Colonialism: Thinking Through the Visual, The Third Guangzhou Triennial, Guangzhou, China
           Since we last spoke about monuments, Stroom, The Hague, The Netherlands
           The Cinematic, or Moving Images Expanded: Artists’ Film and Video Showcase 2008, Insa Art Space, Seoul, Korea
           Framing and Being Framed: The Uses of Documentary Photography, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT
           Nonknowledge, Projects Arts Centre, Dublin, Ireland
           The Cinema Effect: Illusion, Reality, and the Moving, Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC
           Peripheral Look and Collective Body, Museion, Bolzano
           Förlust/Loss, The Wanås Foundation, Knislinge, Sweden
           Headlines and Footnotes, Henie Onstad Art Centre, Oslo, Norway
           Fluid Street, Kiasma, Helsinki, Finland
           Shadow Cabinet, Extra City, Antwerp, Belgium
           Berlin-New York Dialogues: Building in Context, Center for Architecture, New York, NY
2007    The Big Easy, ACC Galerie, Weimar and Halle 12 in der Baumwollspinnerei, Leipzig, Germany
           In the Poem About Love You Don't Write the Word Love, Overgaden Institut for Samtidskunst , Copenhagen, Denmark
           Buckingham Cesarco Lawler Ruppersberg, Murray Guy, New York, NY
           Taking Time, MARCO, Museum of Contemporary Art, Vigo, Spain
           Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York NY
           To The Point: A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum,
           Rutgers University, New Brunswick, NJ (catalogue)
           Projecting Time, Badischer Kunstverein, Karlsruhe, Germany
           Mapping the City, Stedelijk Museum, Amsterdam, The Netherlands
           Varsalongen 2007, Liljevalchs Konsthall, Stockholm, Sweden
2006    1,2,3… Avant–gardes: Film / Art between Experiment and Archive, CCA Ujazdowski Castle, Warsaw, Poland,
           Personal Affairs. New Forms of Intimacy, Museum Morsbroich, Leverkusen, Germany
           700% PLUS, KBH Kunsthal, Copenhagen, Denmark
           Liverpool Biennial International 06, Liverpool, UK
           The Golden Hour, Gigantic ArtSpace, New York, NY
           Nam June Paik Award 2006, Museum für Angewandte Kunst, Cologne Germany
           No Reservations: Native American History and Culture in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, CT
           société des nations factice et scindée en elle-même, Circuit, Lausanne, Switzerland
           Between the Lakes: Artists Respond to Madison, Madison Museum of Contemporary Art, Madison, WI
           Slow Revolution, The Rotunda Gallery, Brooklyn, NY
           Draft Deceit, Kunstnernes Hus, Oslo, Norway
           Forum expanded, Berlinale and Kunst-Werke Institute for Contemporary Art, Berlin, Germany
2005    This Storm Is What We Call Progress, Arnolfini, Bristol, UK 
           I Beg Your Pardon – or the Reestablishing of Cordial Relations,The New School, New York, NY
           I really should..., curated by Stefan Kalmar, Lisson Gallery, London, UK
           This Side Toward Screen, Murray Guy, New York, NY
           Post No Bills, White Columns, New York, NY
           In Absentia, curated by Stephen Wright, Centre d’Art Passerelle, Brest, France
           (“my private”) HEROES, MARTa, Herford, Germany
           The Corcoran Biennial, The Corcoran Gallery of Art, Washington, DC
           Circa Berlin, curated by Simon Sheikh, Nikolaj, Copenhagen Contemporary Art Center, Copenhagen, Denmark
           Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London, UK     
           Documentary Creations, Kuntmuseum Luzern, Lucerne, Switzerland
           Matthew Buckingham, Markus Schinwald, Clemens von Wedemeyer, Galerie Klosterfelde, Berlin, Germany
           in words and pictures, Murray Guy, New York, NY
2004    Faces in the Crowd, Whitechapel Art Gallery, London, UK     
           The Book as Object and Performance curated by Sara Reisman, Gigantic Art Space, New York, NY
           Rear View Mirror, Kettle’s Yard, Cambridge, UK
           Common Property, Werkleitz Biennale, Halle, Germany
           Territories, Malmö Konsthall, Malmö, Sweden
           4 and 4, Curator’s Choice New York/Berlin, (MB chosen by Anselm Frank), Müller De Chiara , Berlin, Germany
           Push the Envelope, curated by Lars Mathieson, Sparwasser HQ, Berlin, Germany
2003    Get Rid of Yourself, ACC Weimar & Stiftung Federkiel, Halle 14 Leipzig, Germany
           Territories, Kunst-Werke, Berlin, Germany. curated by Anselm Franck and Sine Bepler.
           Homeland , Whitney ISP, CUNY Graduate Center, New York, NY
           Watershed: The Hudson Valley Art Project, Beacon, NY and surrounding locations
           Cloudless, CCS Bard College, Annandale-on-Hudson, NY     
           Inscribing the Temporal, Kunsthalle Exnergasse, Vienna, Austria
           Affinity Archive, Broadstone Studios, Dublin
2002    Rent-A-Bench, curated by Jacob Fabricius, Los Angeles          
           Road Trip, Murray Guy, New York, NY
           Nostalgia, Art In General, New York, NY
           The Captain’s Road, Dublin, Ireland
           The Brewster Project, Brewster, NY
2001    Plakartprojekt, organized by SITE & Schnitt Ausstellungsraum, Cologne, Germany
           Quality Street, Galleri Tommy Lund, Copenhagen, Denmark
           Definition, Murray Guy, New York, NY
2000    May Day Vienna, The Kunsthalle Exnergasse, Vienna, Austria
           La Ville, le Jardin, la Memoire–La Folie Section, Villa Medici/Académie de France, Rome, Italy (cat.)
           Vague but True, curated by Catsou Roberts, Galeri Asbaek, Copenhagen, Denmark; Arnolfini, Bristol, UK
           Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY
1999    Re-opening Show, Galleri Nicolai Wallner, Copenhagen, Denmark
           Caravan, Astrotel Contemporary Art, Vienna, Austria
           The American Century, Whitney Museum of American Art, New York, NY
           Close-Ups - Contemporary Art and Carl Th. Dreyer, Nikolaj Contemporary Art Center, Copenhagen, Denmark (cat.)
           L.A. International, Blum & Poe, Santa Monica, CA
           You Assume Certain Places Exist, Galerie Mot & Van den Boogaard, Brussels, Belgium
           Parking, High Bridge Park, NY, organized by May Day Productions
1998    Nuit Blanche, ARC Musée d’art moderne de la Ville de Paris, Paris, France (cat.)
           Something is Rotten in the State of Denmark, Museum Fridericianum, Kassel, Germany
           Screening, Apex Art P.C., New York, NY
1997    Assorted Confabulations: Fiction + Interference, Consonni Centro de Prácticas Contemporáneas, Bilbao, Spain
           For Eyes and Ears, Galleri Tommy Lund, Odense, Denmark
           Three Rivers ArtsFestival, The Andy Warhol Museum, Pittsburgh, PA
1996    New Histories, The Institute of Contemporary Art, Boston, MA
           Spot Gallery, New York, NY
1993    Onion City, Randolph Street Gallery, Chicago, IL
           Pages, 450 Broadway Gallery, New York, NY
1991    New Work, Randy Alexander Gallery, New York, NY
1990    Works on Paper, Paula Allen Gallery, New York, NY

Selected Screenings

2007    Mapping the City video programme, Stedelijk Museum Bureau, Amsterdam
           Matthew Buckingham, Tate Modern, London, UK
           In the Poem About Love You Don’t Write the Word Love, curated by Tanya Leighton, Midway
           Contemporary Art, Minneapolis, MN
2006    In the Poem About Love You Don’t Write the Word Love, curated by Tanya Leighton, Centre for Contemporary Arts, Glasgow, UK;
           Artists Space and Anthology Film Archives, New York, NY; Midway
           Contemporary Art, Minneapolis, MN
           Shedhalle, Zürich, Switzerland
2005    A History of Forgetting, transit projektce, Prague, Czech Republic
           In the Poem About Love You Don’t Write the Word Love, curated by Tanya Leighton, argosfestival, Brussels, Belgium
           Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
           
MediaScope, The Museum of Modern Art, New York, NY
2004    Identify! or Studies on a Political Subject, The New School, New York, NY
           Matthew Buckingham, Akademie der Künste, Berlin, Germany
2003    Matthew Buckingham, Akademie der Künste, Berlin, Germany
           Record, Gallery210two, Los Angeles, CA
2000    Three Films by Matthew Buckingham, Arnolfini, Bristol, UK
           Crossing Boundaries, National Cinematheque, Danish Film Institute, Copenhagen, Denmark          
           Art Film, Stadtkino, Kunsthalle Basel, Switzerland
           Shoot: Moving Pictures by Artists, Malmö Konsthall, Malmö, Sweden
1999    Five 29 Ninety9, one-day symposium, St. Ann’s Church, Brooklyn, NY
           Silver Series, Saint Mark's Church Danspace Project, New York, NY
           Meters 1, Salon 300, Brooklyn, NY and Tian Miao Lin, Beijing, China
1998    Reading Places, Pacific Film Archive / Berkeley Art Museum, Berkeley, CA
           The Glass of Knowledge, The Anthology Film Archive, New York, NY
1997    New Directors/New Films, The Museum of Modern Art, New York, NY
           Ann Arbor Film Festival, Ann Arbor, MI
           Athens International Film Festival, Athens, OH
1996    Film Club, Four Walls, Brooklyn, NY
1994    Works-in-Progress, The Museum of Modern Art, New York, NY
           Sydney Public Television, Sydney, Australia
1993    San Francisco Cinematheque, San Francisco, CA
           Other Cinema, San Francisco, CA
           Black Maria Film Festival, NJ
           Ann Arbor Film Festival, Ann Arbor, MI
           Reel Time, Performance Space 122, New York, NY
1990    Ann Arbor Film Festival, Ann Arbor, MI
           St. Mark's Church Danspace Project, New York, NY

Fellowships, Grants, Residencies

2007    ArtPace, San Antonio, TX
           IASPIS, Stockholm, Sweden
2006    Artist in Residence, The Arts Institute, University of Wisconsin-Madiso
2004    Henry and Natalie E. Freund Teaching Fellowship, Washington University School of Art, St. Louis, MO
2003    DAAD Artists Program, Berlin, Germany
           Watershed: The Hudson Valley Project, Minetta Brook Foundation, NY
2001    New York Foundation for the Arts, Artists Fellowship
1997    Danish Film Institute Film Workshop Production Grant
1996    New York State Council on the Arts Film Production Grant
1992    Art Matters Artist’s Fellowship, New York, NY
1990    Apparatus Production Grant, New York, NY

Public Collections

Hirshhorn Museum and Sculpture Garden, Washington D.C.
FRAC Bourgogne, Dijon, France
Kunstmuseum, St. Gallen, Switzerland
Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
MARTa Herford, Herford Germany
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Museum of Modern Art, New York
Saint Louis Art Museum, Saint Louis, MO
Statens Museum for Kunst, Copenhagen, Denmark

Selected Bibliography

2008    Watson, Sam, “Matthew Buckingham – Des Moines, IA+London+Seattle”, Art Papers, May/June 2008, p.59
           Sholis, Brian. “Matthew Buckingham”, Artforum, May 2008, pp.381
           Mack, Joshua, “Matthew Buckingham”, Time Out New York, April 3-9, 2008
           Hanley, William, “Buckingham Film Makes Maiden Voyage”, Artinfo, March 31, 2008
           “Matthew Buckingham”, The New Yorker, March 31, 2008
           Rosenberg, Karen, “Matthew Buckingham”, The New York Times, March 23, 2008
           Ellegood, Anne, “Matthew Buckingham”, The Cinema Effect: Illusion, Reality, and the Moving Image, Hirshhorn Museum and Sculpture
           Garden, Smithsonian Institution, Washington, DC, D Giles Ltd, London 2008, pp.130-134
           Kitamura, Katie, “Matthew Buckingham, Index, Stockholm, Sweden”. Frieze.com
           West, Kim, “Mathew Buckingham, Index”, Artforum.com
2007    Mottram, Jack, “Turning the Familiar on its Head”, The Herald, Dundee, Nov. 23, 2007,
           Ulrichs, David, “Everything has a Name“, <H>ART, Issue No. 25, Sept 6, 2007
           Buckingham, Matthew. “Film to be Projected Every Year”, Kunst und Öffentlichkeit, ed. Christoph Schencker and Michael Hiltbrunner,
           Hochschule für Gestaltung und Kunst Zürich, JRP/Ringier, pp.71-79

           Hiltbrunner, Michael, “Die Frauenstimmrecht – ein Nachhaken”, ibid, p.81
           Hiltbrunner, Michael. “Mechanismen des Vergessen – Interview with Matthew Buckingham”, ibid, pp.82-84
           Collings, Matthew. “Hot Chat”, Modern Painters, September 2007, pp.38-41
           Glauner, Max, “Fröhliche Wissenschaft mit Haken“, Zitty, Issue No. 13/2007
           Resch, Andreas, “Alles hat einen Sinn irgendwie“, Tageszeitung Berlin, July 24, 2007
           Oldham, Alison. “Revealing needs of a lesbian doctor”, Ham & High, June 21, 2007
           Hinrichsen, Jens “Der Überflieger“, Der Tagesspiegel, June 19,2007
           Muir, Kate. “The Dark Ages”, Times Magazine, June 9, 2007
           Herbert, Martin. “Matthew Buckingham”, Time Out, May 30 – June 5, 2007
           Slyce, John. “Matthew Buckingham – Camden Arts Centre”, Art Monthly, 6.07
           Cooper, Emmanuel. “Text and Image meet ambiguity and complexity” Tribune, May 18, 2007
           Coomer, Martin. “Timely Viewing”, The Big Issue, May 14 2007
           Groskop, Viv. “Women All hail the feminassance”. The Guardian, May 11, 2007
           “Review: Matthew Buckingham, Play the Story”, myvillage.com, May 10, 2007
           Darwent, Charles. “Notes from a ceiling in north London”, The Independent on Sunday, May 6, 2007
           Macdonald, Fiona. “Matthew Buckingham”, Metro (London), May 3, 2007
           Morgan, Jessica. “1000 words – Matthew Buckingham”, Artforum, May 2007, pp.328-329
           Godfrey, Mark. “Time and Motion”, Sight & Sound, May 2007, p.8
           Smyth, Cherry. “Rewind: Matthew Buckingham,” ArtReview, May 2007, pp.108-109
           Falconer, Morgan. “Turning her story into living history”, The Times, April 21, 2007
           Buckingham, Matthew. “Muhheakantuck—Everything Has a Name”, October, no. 120, Spring 2007, pp. 173-181
           Godfrey, Mark. “The Artist as Historian”, October, no. 120, Spring 2007, pp. 140-172
           Gronlund, Melissa. “Story Telling”, frieze, issue 106, April 2007, pp. 120-125
2006    Kreuger, Anders. (ed.) Matthew Buckingham: Messages from the Unseen, exhibition catalogue,  Lund Konsthall Veenman Publishers,
           Lund, Sweden
           Baxter, Lew, “Melville’s metaphor for a new Liverpool”. Interview, Liverpool Daily Post, September 29, 2006
           Hubbard, Sue, “International Festival of Contemporary Art”, The Independent.  September 29, 2006
           Fox, Killian, “What a turn-up – Liverpool Biennial”, The Observer, September 24, 2006
           Chapple, Mike, “An old salt may be turned into a star”, Liverpool Daily Post, June 7, 2006
           Sutton, Gloria, “Matthew Buckingham – Kunstmuseum St. Gallen”, artUS, no.13, May-June 2006
           Simon, Jane. “Between the Lakes: Artists Respond to Madison” in Between the Lakes: Artists Respond to Madison, exhibition catalogue
           Madison Museum of Contemporary Art, Madison, WI, pp. 24-25.
           Volkart, Yvonne, “Matthew Buckingham – Time Lines”, Springerin, 2.2006
2005    Comer, Stuart, “London”, Artforum, December 2005
           Bellini, Andrea. “Matthew Buckingham & Joachim Koester, ‘Sandra of the Tuliphouse or How to Live in a Free State’”,
           Flash Art, July-September, No.243
           Smith, Roberta. “Matthew Buckingham & Joachim Koester, ‘Sandra of the Tuliphouse or How to Live in a Free State’”,
           The New York Times, June 10, p. E44 (illustrated)
           Scott, Andrea. “In between days”, Time Out New York, Issue No. 502. May 12-18, 2005, pp.73-74.
           Clark, Robin. “Matthew Buckingham”, interview with Matthew Buckingham in brochure Currents 94 Matthew Buckingham,
           Saint Louis Art Museum.
           Martinez, Chus, “Introduction to a Scientific Aesthetics” in Introduction to a Scientific Aesthetic, exhibition catalogue
           Fundación Telefónica, Madrid, pp. 13-23
           Godfrey, Mark, “Against Finitude”, in Introduction to a Scientific Aesthetic, exhibition catalogue Fundación Telefónica, Madrid, pp. 53-75
           Franke, Anselm, “Matthew Buckingham”, Parkett, no.72, 2004, pp. 6-16
           
Cotter, Holland, “The Book as Object and Performance”, The New York Times, January 13, 2005 
2004    The New Yorker, December 13, 2004, p.20
           Allen, Jennifer. “Clues, Shadows and Faces – Interview with Matthew Buckingham”, Metropolis M, No. 5, pp.95-106
           Henry, Max, “Matthew Buckingham at Murray Guy”, Art in America, March 2004, pp. 130-131
           Dean, Tacita. “Historical Fiction: The Art of Matthew Buckingham”, Artforum, March, pp.146-151
           Huck, Brigitte. “Matthew Buckingham – Museum Moderner Kunst Stiftung Ludwig”, Artforum, January, p.162
           Weaver, Suzanne. “An Interview with artist Matthew Buckingham”, A Man of the Crowd, exhibition brochure, Dallas Museum of Art
2003    Buckingham, Matthew. "A Man of the Crowd: annotated associations with Edgar Allan Poe's tale The Man of the Crowd", Untitled
           (Experience of Place), ed. Gregor Neuerer, Koenig Books Ltd., London/Verlag der Buchhandlung Walter Koenig, Cologne, ISBN 3-88375-792-6
           Cotter, Holland. “Matthew Buckingham”, The New York Times, December 12, p.E45
           Sholis, Brian. “Matthew Buckingham”. New York critic’s picks, Artforum.com
           Rosenberg, Karen. “On View-The Tell-Tale Art”, New York, December 8, p.99
           Schwendener, Martha. “Matthew Buckingham “A Man of the Crowd””, Time Out New York, No.426, November 27-December 4, p.82
           “Matthew Buckingham”, The New Yorker, 24 November, p.22
           Kastner. Jeffrey.“Watershed – various sites”, Artforum, October, p.175
           Metzger, Rainer, “Soho am Stephansplatz – MUMOK: Matthew Buckingham – A Man of the Crowd”, artmagazine, Vienna, 22 September
           Lamm, Kimberly. “Men in the Crowd”, A Man of the Crowd – Matthew Buckingham, Museum Moderner Kunst Stiftung Ludwig,
           Vienna, pp.62-70
           Cotter, Holland. ‘Art shows in the Great Indoors’, The New York Times, 25 July
           Auricchio, Laura. “Homeland”, Time Out New York, Issue 403, 19-26 June, p.61
           Boettger, Suzanne. ‘Cinderella on the Hudson, Art in America, June, pp.39-45
           Princenthal, Nancy, “A 10-Part Hello Along the Hudson”, The New York Times, May 11, p.20 AR
           Harris, Michael. “Physiognomists take spotlight in Buckingham show”, The Vancouver Sun, March 10
           Jaugelis, Kristina. “Matthew Buckingham – Charles H. Scott Gallery”, online magazine, School for the Contemporary Arts, Simon
           Fraser University, Vancouver Buckingham, Matthew, Ultramarine, Cabinet Magazine, Issue no. 10, spring 2003
           “The Projected image in Contemporary Art”, roundtable discussion with MB, Chrissie Iles, Hal Foster, George Baker, Malcolm Turvey,
           Anthony McCall, October no.104 – March 2003
2002    Sundell, Margaret. “Wet Dream”, Time Out New York, 26 Sept. – 3 Oct. p.60
           Buckingham, Matthew. “The Six Grandfathers, Paha Sapa, In the Year 502,002 C.E.”, Cabinet, Issue 7, Summer 2002, pp.47-50
           Kraynak, Janet “Matthew Buckingham”, Watershed-The Hudson Valley Art Project, Minetta Brook, New York, NY, pp. 83-89
           “Definition - P.S.1 Contemporary Art Center”, The New Yorker, August 12, p.15
           Buckingham, Matthew and Joachim Koester, “Points of Suspension”, October, no.100, Spring, pp.55-63
           Sonkin, Rebecca. “Matthew Buckingham”, Tema Celeste, March, p.84
2001    Burton, Johanna. “Matthew Buckingham – Subcutaneous”, Time Out New York, 6-13 December, p.62
           Williams, Gregory. New York Critics’ Picks, Artforum.com
           Buckingham, Matthew. Subcutaneous, artists book, published by Murray Guy & Shark Books
           Ryan, Orla. "In Between Lost and Found: The Films of Matthew Buckingham", Afterimage, March/April, pp.16-17
           Torp, Marianne, “You assume certain histories exist…”, Sandra of the Tuliphouse or How to Live in a Free State, catalogue, x-rummet,
           Statens Museum for Kunst, Copenhagen, Denmark
           Buckingham, Matthew and Joachim Koester, “How to Live in a Free State”, Sandra of the Tuliphouse or How to Live in a Free State, 
           catalogue, x-rummet, Statens Museum for Kunst, Copenhagen, Denmark
           Movin, Lars. "Stedernes gådefulde fortælling", Information, 15 March
           Kristensen, Pernille Anker. "Alle veje fører til Christiania", Det Sker/Kultur, 16 March
           “Interview With a Cultural Follower and Public Space-Inhabitant”, artist project,Shark 3, Winter, pp.91-107
2000    Siegel, Katy. "Greater New York", Artforum, May, p.174
           Daniels, Yolande. Greater New York, catalogue, Institute for Contemporary Art, P.S.1, New York Dunn, Melissa. "Matthew Buckingham’s
           'Situation Leading to a Story'", Greater New York ,catalogue, Institute for  Contemporary Art, P.S.1, New York
           Shaw, Lytle, "How to Make Good Experimental Ethnographic Films: Matthew Buckingham", Greater New York, catalogue, Institute for
           Contemporary Art, P.S.1, New York
           Stanley, Sarah. "Shirin Neshat: Matthew Buckingham", Greater New York, catalogue, Institute for Contemporary Art, P.S.1, New York
           Jönsson, Dan. "Konstfilm i Malmö", Dagens Nyheter, Malmö, February 16
           "Exhibition Picks", The Guardian, London, 24 June
1999    Close-Ups - Contemporary Art and Carl Th. Dreyer,  catalogue, Nikolaj Contemporary Art Center, Copenhagen, Denmark, texts by Lene
           Crone Jensen and Lars Movin Williams, Gregory. "Matthew Buckingham - Murray Guy, New York", Frieze,  No.46, May, pp.98-99
           Jowitt, Deborah. "Depth of Memory", The Village Voice,  April 13
1998    Nuit Blanche,  catalogue, ARC Musée d'art moderne de la Ville de Paris, Paris
           Larson, Lars Bang: in Something is Rotten in the State of Denmark, catalogue, Museum Fridericianum, Kassel
           "Home Movies: Situation leading to a Story", SuperUmbau, No.4, Autumn
           "A Project for Atlantica Magazine", with Joachim Koester, Atlantica International, No. 19.
           Roberts, Catsou. "Between Documentation and Drama", artpress , No.232, February
           Taubin, Amy. "Love and Death, 1997’s Top Ten Films",The Village Voice,  New York, Jan. 6  
           "Situation Leading to a Story", Ojeblikket magazine, No.35, Spring
1997    Anderson, John. "New Films Series Takes Manhattan", Newsday, March 21
           Maslin, Janet. "Quiet Desperation, Then Decisions, Decisions", The New York Times, March 29
           Taubin, Amy. "Worlds Apart", The Village Voice, March 25
1996    Gilliam, Leah. "Eraser Vols. 9&10", New Histories, catalogue, Institute of Contemporary Art, Boston